Laura Mercier Artist Palette for Eyes

Wow. I was writing this review and checking the usual sites for availability and...the Laura Mercier Artist Palette for Eyes was nowhere to be found. Like, NOWHERE. It had poofed right out of existence. I debated whether it was worth putting this up at all, considering, but it is an excellent palette and seems like one of those sleeper hits that ends being stalked on eBay in a few months. A few extra swatches out there for reference can't hurt, right? (If you follow me on Instagram or Twitter, you know I had planned on making this review one of three for alternatives to the Urban Decay Naked palette family. Ah well. Best laid plans.)

EDIT: Ah! Just called the Holt Renfrew in Montreal, and they still have it in stock. VICTORY. I know the Sephora in Pointe-Claire still had it as of last week. This is one that requires some in-person retailing if you want to track it down.

The Laura Mercier Artist's Palette for Eyes features twelve neutral-ish eyeshadows, half of them matte, the other half with shimmer. This is actually my first experience with Laura Mercier powder eyeshadows, and if it's indicative of the quality, then count me in for checking out future offerings.

I have to say, I really like the exterior packaging. It's fun and sophisticated, and not entirely what I think of when I think Laura Mercier, which tends to evoke more staid associations. Like Bobbi Brown, but more neutral. (I don't know why, since the only other LM item I have reviewed so far was the anything-but-yawn-worthy Caviar Stick.)

The real magic is on the inside however, with a selection of perfectly edited shades to suit most of your everyday needs. This palette isn't flashy, but it is The Little Black Dress of palettes, a passe-partout that will take you from workday to cocktails, dinner out to weekend in-and-about.

And then there is African Violet, which is just a stunner. Lavender, with golden shimmer. Need I say more?

I have heard that LM eyeshadows can have sheerer pigmentation (which is not necessarily a bad thing in and of itself), but I didn't find that was the case with these at all. All the shades applied with good to superb payoff. The shimmer shades are soft and buttery, not too dense, apply and blend very well.

The mattes are smooth and soft, which means they can kick up a bit of powder when you dip your brush in. It's better to go in with a light hand, blend and apply more as needed, or they can drop pigment down where you don't want it.

The wear on these was great: 8-10 hours easily over primer, some fading after 5 hours without primer, but no creasing.

Left side of the palette.

Right side of the palette.

Mix of natural and artificial light.
Left to right, the top-row shimmers: Chocolate, African Violet, Sable, Guava, Cameo, Sunlit.

Mix of natural and artificial light.
Left to right, the bottom-row mattes: Vanilla Nuts (not sheer, just exactly my skin tone), Plum Smoke, Cafe au Lait, Coffee Ground, Deep Night, Rich Coffee.

Availability: Couldn't find an online source anymore, but it is still available at some Holt Renfrew and Sephora locations. Price is 60$ CAD.

Pros: Exemplary range of neutral-ish shades and finishes, including excellent highlighters and liner options. Great pigmentation, easy to work with and blend. Truly a palette that answers most makeup needs.

Cons: Soft texture and pigmentation can lead to fallout on initial application, so a light hand is encouraged.

(I purchased this item from Sephora.)

Drew Barrymore's New Makeup Line - Flower

So Drew Barrymore is launching her own makeup line, which will be featured exclusively at Wal-Mart. Drew doesn't strike me as the average Wal-Mart shopper, but she is a supremely savvy businesswoman. I can't wait to see this in person, I have high hopes that they deliver on the promise of luxury content at mass-appeal prices. (Article at WWD.)

Image from WWD.

Estée Lauder Violet Underground Palette

Like the Lise Watier Millésime "Les Vins" palette I reviewed a little while back, the Violet Underground palette from Estée Lauder was a stunning fall piece that has segued seamless into the holiday season. It is probably my favorite from the Fall 2012 collections, not least of all because of its seasonal versatility.

It is absolutely gorgeous, and performs flawlessly.

I love that EL veered slightly from the usual gold packaging and went with the midnight exterior. The shades in the palette are so intense, gold would have pushed this uncomfortably close to the tacky side of the 80s, rather than the Jerry Hall, glam-tastic fabulousness that this palette totally owns.

The colors are so rich, vibrant and metallic in the pan, and they do not disappoint when applied.

Natural and artificial light.

Direct sunlight.

The formula is the Cyber Eyes tribrid that can be used wet or dry, and while the colors do go on more metallic and intense when used wet, I had no problem getting density and payoff when using these dry, and they last all day. It's even better than the Bronze Sands palette, and that's saying a lot.

Despite the scary fuchsia, this is a surprisingly versatile palette. The soft black and beautiful navy shade will, of course, make for a classic smoky eye, while the brown and cream shades work just as well for a more subdued daytime combination. There are no matte shades, so it's not an all-arounder that you can toss into your weekend bag, but it has a lot more range than would be immediately obvious.

Availaibility: Harder to locate now, but it is still available on the US Estée Lauder website, and my local Bay still had it in stock this week. Price is 48$ USD and 50$ CAD.

Pros: Sublime formula with great density and pigmentation. Fantastic overall aesthetic. Surprisingly wearable and versatile.

Cons: None that I can think of.

(I purchased this from Lord and Taylor in the States.)